Audio link
here.
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From time to time we post the lyrics of what we consider to be poorly written worship songs. Our desire is not to mock or humiliate, but rather to honestly examine content with a view to calling forth a better worship expression.
With the great volume and variety of worship music available, none of us should have to settle for bad worship songs. We should be able to select hundreds or even thousands of top notch songs very easily.
But too often, the ones we select from are largely limited to what is playing now. It's sort of an
Overton Window of worship music. That's not always bad, because there is some very good music being written and played on mass media.
But "what's playing now" is based on a variety of factors, including marketability, production, and content. The gatekeepers determine what access there is, and Jesus Culture has gained access to the market and is using it to continue to promulgate its material. That makes sense. What doesn't necessarily happen is continued high quality.
What makes a song a worship song? Is it enough to contain words like God or holy? How about vaguely spiritual sounding phrases? Should Jesus be mentioned?
We think an excellent worship song should contain the following elements:
- A direct expression of adoration (God, you are...)
- A progression of ideas that culminates in a coherent story
- A focus on God, not us
- Lyrics that do not create uncertainty or cause confusion
- A certain amount of profundity
- A singable, interesting melody
- Allusions to Scripture
- Doctrinal soundness
- Not excessively metaphorical
- Not excessively repetitive
- Jesus is not your boyfriend
It's worth noting the most worship songs contain at least something good. That is, there might be a musical idea or a lyric that has merit. Such is the case with this song. Throne Room. There are some good parts, especially the first half of the chorus. But on the whole, there's just not enough here to consider it a good worship song.
Ok, Let's look at the song.
Verse one
Dream after dream,
You are speaking to me,
breathing word after word of kingdom come
Here at Your feet,
I can see the unseen,
truly one look at You and I'm undone
I run to the throne room
I run to the throne room
Read verse one aloud. Does it even make sense? Not really. There's a sense here of some disparate phrases cobbled together without regard to a cohesive narrative.
The song starts with the idea that God is speaking to the songwriter with a series of dreams about "kingdom come." Fair enough. We might object to this on the basis that we are forced to sing about the songwriter's experiences which may not be our own. Lauren Daigle also does this in the first line of her song "
You Say:"
I keep fighting voices in my mind that say I'm not enough.
Those are intensely personal expressions, which in our view are outside the boundaries of corporate worship. In that vein, the song does tend to be self referential as a whole (19 uses of referents like I, me, and my).